Trailer Review: Star Trek Into Darkness

Instead of going on about the first impressions from the 2 1/2 minutes I see from a trailer, i'm going to just say this about J.J. Abrams sequel to the hit reboot, Star Trek: May 17 cannot come fast enough. Watch and let your jaw drop.

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Cowardice

I was looking forward to watching the James Franco/Seth Rogen comedy The Interview on Christmas Day, even more so than Angelina Jolie's WWII drama Unbroken , or Rob Marshall's Into the Woods . I like what the writing and directing duo of Rogen and his pal Evan Goldberg have done with comedies like Superbad , Pineapple Express and their debut feature, This Is the End . In light of Sony being hacked (which now appears to be North Korea's doing) and threats of attacking theaters that carry the comedy, three things happened today: 1.) Every major theater chain - AMC, Regal, Cinemark, Arclight, etc, had decided to pull out from showing The Interview on its scheduled release date. 2.) This prompted Sony Pictures to basically cancel the release date of the film amid threats of blowing up theaters. 3.) Both Sony and the theater chains basically caved into the demands of cyber terrorism from North Korea. Are you fucking kidding me? We just caved into terrorist d

On Dynasties, Ignorance, and Moving Foreward To the Future.

In the beginning, I wanted Mr. Brown Verses to be a blog about movies, and that's it. Given how there's much more going on, like film analysis and how it relates to issues both here in America and beyond our borders; the annual predictions on the Academy Awards race; the state of the film industry; issues of ethnicity and gender roles in the business; the continued rise of fandom with both sexes; etc - it would be foolish to not talk about it and just sticking with reviewing movies. Most of this has been hesitance on my end because I personally feel that I'm not as well-versed in the film medium to really speak on trends and whatnot. There are other, more eloquent critics and readers of the Award-season tea leaves that express these concepts so damn well, it's almost amazing they haven't been picked up by publishers like Entertainment Weekly or Rolling Stone or The New York Times, but I guess the idea that they stand apart makes their work more fearless, more rich

Mad Max and the Awards Season Or: Let It Go, Let It Go...

And so, the Oscar race has officially begun, with the Nation Board of Review's annual best of list, applauding and honoring the creme de la creme in film for 2015. I definitely didn't expect to see films like Sicario and Straight Outta Compton to be on their list of the 10 best movies of the year, so big brownie points to them for their inclusion. Drew Goddard winning Best Adapted Screenplay was a shock, and well-deserved for taking the source material and creating a funny, exciting script where Matt Damon "has to science the shit" out of being stuck on an unforgiving planet like Mars after being marooned by mistake by his fellow astronauts. I think The Martian is easily Ridley Scott's best and most enjoyable film in years (yes, I'm taking into account that I liked Prometheus ) , and it's fun to see the director this playful, though I think Damon winning Best Actor and Scott taking Best Director is a bit of a stretch. But then came the pick for Bes

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