Skip to main content

Mr. Brown and The Desolation of Smaug

The Hobbit: The Desolation of Smaug is now the shortest of the Middle-Earth series by a whopping 161 minutes (or 2 hours and 41 minutes). Yet, Peter Jackson's second entry into his prequel trilogy feels like a 3-hour opus, filled with rousing action sequences and stunning production value (it's really amazing the filmmakers could still find uncharted places within New Zealand to shoot these films). Cinematography, Art Direction, Costumes Design, Visual Effects, Sound Editing and the score, once again composed and conducted by the great Howard Shore - the look and feel of this film rivals Alfonso Cuaron's Gravity and The Hunger Games: Catching Fire for Hollywood decadence at their best. Like James Cameron, Jackson is that rare director who knows what to do with a massive budget, and not a cent is wasted in the final product. They all serve at the altar of Jackson's untamed imagination and he does let it fly (the barrel waterfall sequence alone will get applause for it's off-the-walls creativity in an action sequence) often in this installment of the adventures of Bilbo (Martin Freeman) and Thorin Oakenshield (Richard Armentage) company of thirteen Dwarves, still on their quest to reclaim Erebor, the Kingdom under the Lonely Mountain, which has been under occupation by the vile Smaug (a deliciously evil Benedict Cumberbatch), which is a visual marvel unto itself.


Going into The Hobbit 2, you should know, upfront, this movie isn't close to the perilous nature of 2002's The Two Towers, and if you saw last year's An Unexpected Journey, you know that first installment was bloated and you might have felt that it didn't have the same magic as Fellowship of the Ring in 2001. I still feel that, while trying to make this new trilogy as a bridge to connect to the original LOTR trilogy by using Tolkien's Appendix section from The Return of the King, this really should have been what Jackson intended it to originally be: a two movie, 3-hour affair. Still, I really enjoyed this installment and I feel Jackson finally found his grove again in telling a thrilling and exciting story that even when we see stupid shit like Thorin using a metal container to float down a river of liquid molten gold, I can forgive because I'm having too much fun to give a damn. There and Back Again will conclude The Hobbit trilogy on December 17 of next year, and already I wait in anticipation for what PJ has in store for us.
*** stars out of ****

Comments

Popular posts from this blog

Lost in Translation

I think it's fair to assume that a lot of us were very skeptical upon hearing that Masmure Shinrow's cyberpunk manga Ghost in the Shell  was being updated for mainstream audiences, in the form of a live-action film. We've seen how this business has handled manga/Anime properties in the past, and the track record, outside of the Wachowskis' Speed Racer , has been dismal, to say the least. When it was revealed that Scarlett Johansson was chosen to play Major Motoko Kusanagi, the Internet went ablaze, the cries that studio suits were whitewashing a beloved Anime character, as well as petitions making the rounds to remove the actress from the role in favor of an Asian actress to carry the role. When the first trailer dropped in mid-November of last year, I think most of us were blown away with just how, on a surface level, it looked like the live-action version might do the original source material justice. Then, the actual film was released. It's hard to talk about...

Spare Me

Sometimes you find something so incredibly stupid and so utterly irresponsible on social media that you have to address it. Last weekend was the Peoples' Summit in Chicago, where a coalition of Sanders supporters and left-wing activists flocked to a three-day event to discuss about where the movement, which started back in 2016 behind then-candidate Bernie Sanders, would and should go in the Trump era, including whether the Democratic Party can be (or should be) saved, or if the time has come to abandon the party and start a new People's party instead. Enter The Young Turks correspondent Nomiki Konst and her thoughts on why the Democratic establishment should accept and embrace independents who don't lean either with the R's or D's in primary battles. "No open primaries for Democratic Party equals voter suppression and racism with young independent voters" @NomikiKonst #PPLSummit — Holly Mosher (@FilmsForChange) June 10, 2017 *Rolls eyes H...

Thank you, Roger Ebert.

As a kid growing up, there were a few things I spend my time doing on Saturdays: getting up early to watch Saturday morning cartoons, going to the movies with my parents, playing outside with my roller-skates, and watching the latest edition of Siskel & Ebert on television. In fact, that was probably one of the moments of the day I was looking forward to. Gene Siskel and Roger Ebert didn't just debate about the latest movies that had just been released; they didn't just argue back and forth about why this movie worked or why it was awful. These men didn't just love movies, they lived, breathed the power of cinema as an art form. And I don't think no one person exemplified this kind of mad-hot passion for, well....anything better than Ebert himself. Even after Gene's death in February of 1999, the man still carried on and talked about his love of the movies, with other critics and cinemaphiles, from Lisa Scwartzburn of Entertainment Weekly, to Harry Knowles ...