Skip to main content

Ultron's Got No Strings

Last night, Marvel announced that the trailer to Avengers: Age of Ultron (May 1, 2015) would make it's world debut on ABC alongside next Tuesday's episode of Marvel's Agents of S.H.I.E.L.D. Almost 24 hours later, it leaked online. 

In a word (poor quality an all): wow.


There will, no doubt, be a better high-resolution quality version of the anticipated first look at the superhero team-up sequel, but it looks pretty damn good. It is fitting that the trailer music uses the song "I've Got No Strings On Me" from Walt Disney's Pinocchio soundtrack, not because Marvel is now a subsidiary of the House of Mouse, nor because the malevolent robot Ultron (James Spader)   pretty much references the song when he threatens Earth's Mightiest Heroes; rather, it is fitting because it takes the origin story of the title character and turns it into this bleak, twisted form. Instead of lying and disobeying his maker and then redeeming himself for his transgressions, Ultron deems that his maker, along with everyone on earth must be eradicated, and doesn't even remotely try to atone for his actions. Well played to whoever came up with using the song for the trailer. 

Comments

Popular posts from this blog

Cowardice

I was looking forward to watching the James Franco/Seth Rogen comedy The Interview  on Christmas Day, even more so than Angelina Jolie's WWII drama Unbroken , or Rob Marshall's Into the Woods . I like what the writing and directing duo of Rogen and his pal Evan Goldberg have done with comedies like Superbad , Pineapple Express and their debut feature, This Is the End . In light of Sony being hacked (which now appears to be North Korea's doing) and threats of attacking theaters that carry the comedy, three things happened today: 1.) Every major theater chain - AMC, Regal, Cinemark, Arclight, etc, had decided to pull out from showing The Interview  on its scheduled release date. 2.)  This prompted Sony Pictures to basically cancel the release date of the film amid threats of blowing up theaters. 3.)  Both Sony and the theater chains basically caved into the demands of cyber terrorism from North Korea. Are you fucking kidding me? We just caved into terr...

So This Is the New Year...

Tonight, as the seconds tick by until the arrival of 2015 (Or maybe it's already arrived wherever you are reading this), I'd like to share my favorite song that has to deal with, well...the beginning of the new year.  It's by Indie rock group Death Cab for Cutie, and they've been one of my favorite groups since Senior year of high school when I bought Narrow Stairs on iTunes, and I've been a fan since. I love that it's a melancholic song about the biggest non-even of the year and how Ben Gibbard wants to pretend "that we are wealthy, for just this once," on this one night. The song "The New Year" is the opening track off the band's third record, Transantlanticism , which is an incredible record in of itself, including "Sound of Settling," "Title and Registration," and the title track itself, so definitely seek this song out, as well as the rest of the record, because it's worth the listen. I also want...

I'm Dreaming of a White Oscars

What does Stephen Hawking, the godfather of computer science, a hotel manager breaking out from prison during the first World War, a young boy and his family growing up through 12 years and the battle of wills between a aspiring musician and his near-abusive professor have in common? On the surface, these are different films ranging in different subjects. But when you look at the people who stared, wrote and directed these various movies, A few patterns begin to emerge: 1. The cast is predominately white. 2. The story mostly centers on a male protagonist. 3. The filmmakers behind the project are white and male. And all of those films I've mentioned:  The Theory of Everything , The Imitation Game , The Grand Budapest Hotel , Boyhood  and Whiplash  - have all been nominated for Best Picture for this year's 87th annual Academy Awards. Before I go any further, I just want to say that this is not an attack on the films themselves. Most of the films mentioned I really...