Skip to main content

You Have Been Terminated

Every boy growing up in the 80's or 90's has an action hero we latch onto, or action movies we loved. These movies were rated R, of course, because we loved seeing violence, corny one-liners, and bewbies! There's a thrill we all got by watching something we're not supposed to be watching, like John Rambo mowing down dozens of bad guys in the Rambo series, or John McClain taking out terrorists in the Die Hard movies. For me, it was Arnold Schwarzenegger and the Terminator movies. James Cameron's The Terminator and his sequel, Terminator 2: Judgement Day are classic sci-fi action pictures in my book, and personal favorites of mine, and anytime they were on TV, my butt was parked on the sofa to watch the future Governator kick ever manner of ass. 

Today, Paramount Pictures told me, the fans of the first two movies, and Jim Cameron, that we can go fuck ourselves, in the form of Terminator: Genisys (due out May 2015).


Yes, it is nice to see Schwarzenegger back as the T-800, the role that made him into, arguably, the most beloved and well-know action star of his day, and John Cho as the T-1000 is actually inspired casting, because he does resemble the Robert Patrick character from the 1991 sequel. Having said all that: this movie is blending both the first and the second films and hitting the reset button, when the first two movies were fine as is. There is no fucking reason to do a reboot on the franchise that ended when the T-1000 was destroyed, Skynet eliminated, and the T-800 sacrificing himself to make sure that his technology could never be duplicated by anyone else. As a fan of the original movies, this just comes off as Hollywood, once again insulting us by making an unnecessary sequel that was wrapped up with Judgement Day.

Comments

Popular posts from this blog

Spare Me

Sometimes you find something so incredibly stupid and so utterly irresponsible on social media that you have to address it. Last weekend was the Peoples' Summit in Chicago, where a coalition of Sanders supporters and left-wing activists flocked to a three-day event to discuss about where the movement, which started back in 2016 behind then-candidate Bernie Sanders, would and should go in the Trump era, including whether the Democratic Party can be (or should be) saved, or if the time has come to abandon the party and start a new People's party instead. Enter The Young Turks correspondent Nomiki Konst and her thoughts on why the Democratic establishment should accept and embrace independents who don't lean either with the R's or D's in primary battles. "No open primaries for Democratic Party equals voter suppression and racism with young independent voters" @NomikiKonst #PPLSummit — Holly Mosher (@FilmsForChange) June 10, 2017 *Rolls eyes H...

So This Is the New Year...

Tonight, as the seconds tick by until the arrival of 2015 (Or maybe it's already arrived wherever you are reading this), I'd like to share my favorite song that has to deal with, well...the beginning of the new year.  It's by Indie rock group Death Cab for Cutie, and they've been one of my favorite groups since Senior year of high school when I bought Narrow Stairs on iTunes, and I've been a fan since. I love that it's a melancholic song about the biggest non-even of the year and how Ben Gibbard wants to pretend "that we are wealthy, for just this once," on this one night. The song "The New Year" is the opening track off the band's third record, Transantlanticism , which is an incredible record in of itself, including "Sound of Settling," "Title and Registration," and the title track itself, so definitely seek this song out, as well as the rest of the record, because it's worth the listen. I also want...

What We Talk About When We Talk About Great Movies: The 10 Best Films of 2014 - Part II

And here's (finally) part two of my list of the best from last year, along with the full list at the bottom. 5. The Wind Rises  - The worst thing I can honestly say about this gorgeous animated feature is that, at 126 minutes, it wasn't long enough. I could get lost in Hayao Miyazaki's final effort for hours and not get bored. The writer-director-animator is a master of whisking us away to new worlds of his own creation, but how fitting that his last masterwork is where we're rooted into the past as Miyazaki tells the story of real-life Jiro Horikoshi as he lives out his dreams of building airplanes, despite them being used for the Imperial Army back in World War II. Every last frame of this film - from Jiro's dreams with fellow designer Giovanni Caproni and his brief romance with Nahoko, to showing the Great Kanto Earthquake of 1932 and his journey to Nazi Germany several years later - is painstakingly beautiful and artfully crafted to within an inch of his...