Skip to main content

Trailer Talk

I'm back from my month-plus long sabbatical (see: dealing with classes) and the good news is that I've seen 2 dozen films between April and June, so I hope to review at least half of those movies on here (The other half, I've decided, will go on Letterboxd, and they'll be seen here.) in the weeks to come. For right now, I want to get back into the swing of things by reviewing a few trailer that have caught my eye, for better and not-so better.

Brawl of the Century: There's a large amount of fans that want nothing more than to shove a hunk of Kryptonite up Zack Snyder's ass for his version of Superman in Man of Steel rather than see the the big follow up in Batman v. Superman: Dawn of Justice (due out March 25, 2016), but I'm not one of them. Making Clark Kent an uncertain hero, both in the eyes of the U.S. government and internally as he learns to trust the people he's sworn to protect is a nice touch, and it makes the character more interesting than the boy scout he's been portrayed as. And, judging by the teaser, it looks like Superman's brawl with General Zod at the end of the first film will have a negative outlook on the son of Krypton, as a crudely pained 'false god!' is written all over his emblem. Now, whether or not Snyder learns from his mistakes from the previous outing, like not going overboard with prolonged, mind-numbing action and CG carnage, remains to be seen.




Hitting the Mark?: The tricky thing about finales is sticking the landing. Yes, its the moment where hero and villain face off in a final showdown, but there has to be more than just the big climax. The finale is saying goodbye to a series that, up to this point, we've come to love or enjoy. It's seeing character arcs come full circle, setups being paid off and watching in wonder how the filmmakers were able to pull off a series like this. The last time any series had this kind of cathartic glorious conclusion was the final Harry Potter film, Harry Potter and the Deathly Hallows - Part II back in 2011 and nearly 10 year previous with Peter Jackson's epic The Lord of the Rings: The Return of the King. Those two films, in my opinion, are the gold standard; the defining films from which sequels are to be judged in the modern age. Do I think that The Hunger Games: Mockingjay - Part II (due out November 20) will reach that watermark with Return and Hallows? I doubt it, but Part II promises to be a thrilling conclusion to the world of the Hunger Games, and maybe that's all we can ask for.




Pointless Remake: As many of you know, i'm a child of the 90's, so films like Terminator 2, Speed, Demolition Man, Mortal Kombat, etc, hold a special place in my heart. One of those 90's era action films that I love is the surfer flick/crime thriller Point Break, directed by future Oscar-winning filmmaker Kathryn Bigelow, about hotshop detective Johnny Utah (Keanu Reeves) assigned to take down a group of bank robbers who get their kicks riding waves by infiltrating their ranks and cozying up to ring leader Bodhi (the late Patrick Swayze). There's something about seeing the practical stuns; the actors putting themselves out there to make the performance more authentic that makes the film all the more exciting to watch. So what does Hollywood decide to do with a cult favorite like Point Break? Why, you take everything that made the film so much fun to watch and completely screw it up in an unnecessary reboot! Seriously, how do you mess this up? The remake portrays Bodhi as this sociopath murderer with no regard for human life, when in the original, Swayze's motivation was to rebel against the capitalist system and mostly avoided collateral damage. Here, his gang are armed wish semi-automatics and firing at random! Also, Bodhi's "Ex-Presidents"gang were primarily surfers, not extreme sports daredevils, you idiots! This "remake" comes out on Christmas Day, but I'd skip this and stick to the original. And speaking of films that should stick to the original....



Terminator: Spoiler Alert!: I cannot begin to tell you how much I am not looking forward to this latest bastardization of a film series that ended definitely at the end of Judgement Day. Sure, Emilia Clarke from HBO's Game of Thrones as Sarah Connor is inspired casting, and it's always great to see Arnold Schwarzenegger return to one of his iconic roles, but there's no need to reset both The Terminator and T2 when those films were fine as is. Also (and I can't believe I'm telling a major studio this), but if you're going to set up your movie for a big twist, don't put in said twist in the middle of your fucking trailer!



Apparently, John Connor (now played by Jason Clarke) is now a Terminator in this reboot/AU telling of the franchise, which, granted, would be an interesting turn of events, if they hadn't announced it in their advertising of the film. There's also the original T-800 from the first film that makes an appearance, along with the T-1000 from the second film that are trying to kill both Sarah and Kyle Reese (Jai Courtney) who is sent back to kill John's mother, but with all that cramming in and something about the timeline being altered, the whole movies looks to be one big, incomprehensible mess.

Comments

Popular posts from this blog

Cowardice

I was looking forward to watching the James Franco/Seth Rogen comedy The Interview  on Christmas Day, even more so than Angelina Jolie's WWII drama Unbroken , or Rob Marshall's Into the Woods . I like what the writing and directing duo of Rogen and his pal Evan Goldberg have done with comedies like Superbad , Pineapple Express and their debut feature, This Is the End . In light of Sony being hacked (which now appears to be North Korea's doing) and threats of attacking theaters that carry the comedy, three things happened today: 1.) Every major theater chain - AMC, Regal, Cinemark, Arclight, etc, had decided to pull out from showing The Interview  on its scheduled release date. 2.)  This prompted Sony Pictures to basically cancel the release date of the film amid threats of blowing up theaters. 3.)  Both Sony and the theater chains basically caved into the demands of cyber terrorism from North Korea. Are you fucking kidding me? We just caved into terr...

I'm Dreaming of a White Oscars

What does Stephen Hawking, the godfather of computer science, a hotel manager breaking out from prison during the first World War, a young boy and his family growing up through 12 years and the battle of wills between a aspiring musician and his near-abusive professor have in common? On the surface, these are different films ranging in different subjects. But when you look at the people who stared, wrote and directed these various movies, A few patterns begin to emerge: 1. The cast is predominately white. 2. The story mostly centers on a male protagonist. 3. The filmmakers behind the project are white and male. And all of those films I've mentioned:  The Theory of Everything , The Imitation Game , The Grand Budapest Hotel , Boyhood  and Whiplash  - have all been nominated for Best Picture for this year's 87th annual Academy Awards. Before I go any further, I just want to say that this is not an attack on the films themselves. Most of the films mentioned I really...

Mad Max and the Awards Season Or: Let It Go, Let It Go...

And so, the Oscar race has officially begun, with the Nation Board of Review's annual best of list, applauding and honoring the creme de la creme in film for 2015. I definitely didn't expect to see films like Sicario  and Straight Outta Compton  to be on their list of the 10 best movies of the year, so big brownie points to them for their inclusion. Drew Goddard winning Best Adapted Screenplay was a shock, and well-deserved for taking the source material and creating a funny, exciting script where Matt Damon "has to science the shit" out of being stuck on an unforgiving planet like Mars after being marooned by mistake by his fellow astronauts. I think The Martian  is easily Ridley Scott's best and most enjoyable film in years (yes, I'm taking into account that I liked Prometheus ) , and it's fun to see the director this playful, though I think Damon winning Best Actor and Scott taking Best Director is a bit of a stretch. But then came the pick for Bes...