Skip to main content

Suckfest! The Worst Movies of 2016 -- So Far

Ok, let's be honest -- the calendar year for 2016 has been kinda shit, hasn't it? Sequels to cult hits that gave us secondary slop....superhero movies that failed to deliver on the super....studios still trying to cram the awfulness of Kevin Hart down our throats....and this season's offering of summer popcorn flicks did nothing to buck the trend. Does it get better as we turn to fall and the Awards race? Maybe, but for now, here's my compiled list of the worst this calendar year had to offer us thus far.




London Has Fallen - Baltimore movie critic Max Weiss warned me about this abhorrent, xenophobic, racist and profoundly idiotic picture and gave it one star in her review. I felt that was waaaaaaay too kind after sitting through one of the worst action films I've seen in the last 15 years. Gerard Butler is doing his second rate John McClain thing, Aaron Eckhart is still the President with a target on his back, and fine performers like Angela Basset, Melissa Leo and Morgan Freeman are doing next to nothing in this sequel that the whole of London should be demanding an apology for by the filmmakers.



Zoolander 2 - Once Will Ferrell's Mugatu appears on screen, it seems that this sequel to the 2001 surprise cult hit would begin to find its stride and save this laugh-free debacle. Unfortunately Ferrell's not in this movie for long, and the jokes leave with him once he does. Ben Stiller (who also co-wrote and directed), back as the super male model without a brain, along with Owen Wilson as his equally clueless BFF Hansel, give it their all, but the gags feel forced and the satirical element about fashion world and celebrity culture is tired and worn out, particularly when you get every movie star, pop star and fashion icon crammed in, and not particularly funny, either. With the first Zoolander, the titular character was a dim-wit getting caught up into a world of of fashion espionage and sabotage was funny because how in over is head he was and, despite his dumbness, there was a earnesty about his lack of intelligence. That quality is nowhere to be found in this terrible sequel.



Absolutely Fabulous: The Movie - Much like Zoolander 2, the best quality of the dynamic between Edina (Jennifer Saunders) and Patsy (Joanna Lumley) during their misadventures in trying to recapture their glory days as trendsetters on TV was that there was an earnestness to the proceedings; the fear of getting older and facing one's mortality is something most people can relate to. And like with the former, said quality is absent in this film adaptation of the British comedy series. Eddy and Patsy are on the lam after accidentally knocking and potentially killing Kate Moss over the Thames River; the former's granddaughter in tow, along with her wealthy inheritance, to the French Rivera to live their lives as fabulous as possible. No, that's the plot - you know, the same plot we've seen in better, funnier episodes when the show aired.



Suicide Squad - Whereas Batman v Superman succeeded in launching the answer to Marvel Studios' interconnected film universe despite its shortcomings, writer/director David Ayer's introduction the villains of the DC Extended Universe failed because of its numerous shortcomings - sloppy editing, poor writing and acting, and the obvious studio interference during post-production. I'd love to see Margot Robbie's Harley Quinn and Jared Leto's Joker cause chaos in future movies, and I thought Viola Davis was wonderful as Amanda Waller, a tougher, darker version of Samuel L. Jackson's Nick Fury.  However, Will Smith was miscast as Deadshot; Joel Kinnaman comes off as one note as Rick Flag; and other actors like Jai Courtney, Jay Hernandez and Adewale Akinnuoye-Agbaje as El Diablo, Captain Boomerang and Killer Croc, respectively, aren't given much to work with and fail to make much of an impression. At the end, Bruce Wayne/Batman (Ben Affeck in a cameo role) tells Waller to cease and desist with any and all activities regarding Task Force X. Perhaps Warner Bros and DC should take his advice.



The Divergent Series: Allegiant - When your teen dystopian sci-fi flick has to borrow elements from Kurt Wimmer's Equilibrium and Ultraviolet, you know your movie sucks. You should also spot red flags when your director, Robert Schwentke, and four of your screenwriters can't keep basic continuity with Shaileen Woodley's hairstyle from the last movie, which was short, to the latest movie, where it mysteriously grows longer again. Speaking of: if your lead actress and your supporting players like Miles Teller, Naomi Watts, Octavia Spencer and Jeff Daniels simply look like they'd rather be doing anything else but fulfill their obligation to this uninspired piece of young-adult junk, it's time to do the audience, the actors, and the studio a favor and just pull the plug on the series. A prime example of everyone on 'just don't give a fuck!' mode if I've ever saw one.



Independence Day: Resurgence - Of all the movies to have come out in 2016, this just might be the worst I'll see all year. It's everything I hate in cinema - a storyline that makes little sense and makes even less sense as it goes on; characters so wooden and so devoid of charisma, energy or anything remotely interesting that calling them both one note and dimensional would be generous at best; nonexistent performances by everyone involved; and the adherence to the Michael Bay playbook that audiences only care about effects that look cool and loud, ongoing explosions rather than telling a decent story with interesting characters. The original knew what it was, it didn't take itself too seriously, and you had two charisma-fueled performances by Will Smith and Jeff Goldblum, as well as eye-popping effects and a memorable, thrilling sequence of the aliens blowing up the major cites. This is Roalnd Emmerch trying to re-capture what he did in 1996 and failing miserably to do so in 2016, and an insult to the paying audience who forked over money to watch this bullshit.

Comments

  1. Of these films, maybe only suicide squad might at least be watchable in the future. The others are dead on arrival.

    ReplyDelete

Post a Comment

Popular posts from this blog

Cowardice

I was looking forward to watching the James Franco/Seth Rogen comedy The Interview  on Christmas Day, even more so than Angelina Jolie's WWII drama Unbroken , or Rob Marshall's Into the Woods . I like what the writing and directing duo of Rogen and his pal Evan Goldberg have done with comedies like Superbad , Pineapple Express and their debut feature, This Is the End . In light of Sony being hacked (which now appears to be North Korea's doing) and threats of attacking theaters that carry the comedy, three things happened today: 1.) Every major theater chain - AMC, Regal, Cinemark, Arclight, etc, had decided to pull out from showing The Interview  on its scheduled release date. 2.)  This prompted Sony Pictures to basically cancel the release date of the film amid threats of blowing up theaters. 3.)  Both Sony and the theater chains basically caved into the demands of cyber terrorism from North Korea. Are you fucking kidding me? We just caved into terr...

I'm Dreaming of a White Oscars

What does Stephen Hawking, the godfather of computer science, a hotel manager breaking out from prison during the first World War, a young boy and his family growing up through 12 years and the battle of wills between a aspiring musician and his near-abusive professor have in common? On the surface, these are different films ranging in different subjects. But when you look at the people who stared, wrote and directed these various movies, A few patterns begin to emerge: 1. The cast is predominately white. 2. The story mostly centers on a male protagonist. 3. The filmmakers behind the project are white and male. And all of those films I've mentioned:  The Theory of Everything , The Imitation Game , The Grand Budapest Hotel , Boyhood  and Whiplash  - have all been nominated for Best Picture for this year's 87th annual Academy Awards. Before I go any further, I just want to say that this is not an attack on the films themselves. Most of the films mentioned I really...

Mad Max and the Awards Season Or: Let It Go, Let It Go...

And so, the Oscar race has officially begun, with the Nation Board of Review's annual best of list, applauding and honoring the creme de la creme in film for 2015. I definitely didn't expect to see films like Sicario  and Straight Outta Compton  to be on their list of the 10 best movies of the year, so big brownie points to them for their inclusion. Drew Goddard winning Best Adapted Screenplay was a shock, and well-deserved for taking the source material and creating a funny, exciting script where Matt Damon "has to science the shit" out of being stuck on an unforgiving planet like Mars after being marooned by mistake by his fellow astronauts. I think The Martian  is easily Ridley Scott's best and most enjoyable film in years (yes, I'm taking into account that I liked Prometheus ) , and it's fun to see the director this playful, though I think Damon winning Best Actor and Scott taking Best Director is a bit of a stretch. But then came the pick for Bes...