Skip to main content

Mr. Brown Verses The Internship

In 2005, Vince Vaughn and Owen Wilson stared in Wedding Crashers, a movie where two scheming Lotharios crash a high-end wedding for a politico's daughter, only to have Wilson's character, John, break several rules of the crashers' code, including falling in love with one of the bridesmaids, Clarie (Rachel McAdams) , whilst Jeremy, Vaughn's character, deals with a "stage five clinger" in Gloria (Isla Fisher). That movie was was a huge hit, both with critics and with audiences, as the film went on gross over $200 million domestically, becoming the highest grossing R-rated comedy of all time, up until 2009 where The Hangover took over the coveted title. In 2013, the pair reunited for the first time since Wedding Crashers with The Internship, a movie which Vaughn himself wrote and produced. For the first five minutes, it looked like the comedic charisma between Vaughn and Wilson would be as solid as ever, with some funny jokes about Nick (Wilson) getting pumped for a big sales pitch by listening to Alanis Morissette's "Ironic", and a charming sequence as we see Nick and his partner, Billy (Vaughn) in action, trying to sell a client custom-made wrist watches. It's at this point where Billy and Nick confront their boss, Sammy (John Goodman) about being out of jobs, and where Nick uses the Terminator movies to make a point that people don't fully trust technology, that we realize this is going to be a dated, fish-out-of-water comedy, and that it's not going to be that much fun to watch.

Yes, they're stretching for jokes, why do you ask?
The duo apply for an internship at Google, because the company is known for hiring middle-aged men who know jack about computers or how to write and program code, and by the power of comedic contrivance,not only are they accepted, they're paired off with the outcasts of the summer internship program: Stewart, the sarcastic smart-ass who rarely ever looks away from his iPhone; Yo-Yo, the stereotypical Asian-American boy who's a math whiz and has an overbearing mother; Nela, an Indian-American girl who vaguely mirrors Alyson Hannigan's Michelle from the American Pie series, as a geek with a kinky side; and the team leader, Lyle, a member of Google who tries way too hard to act hip and cool in front of everyone. As bland and unoriginal as the supporting characters are (including the rival intern, Graham, played by Max Minghella of The Social Network fame), Wilson and Vaughn have it worse. In Wedding Crashers, their comic chemistry was infectious, and it made the characters of John and Jeremy more likable than they probably should have been. Their delivery was on-point and the jokes were hilarious because of it. In The Internship, the charm and the comedic interplay rarely shines through, and the comedy and pacing suffer as a result. Scenes of Vaughn and Wilson giving pep-talks to their teammates are frankly irritating and obnoxious to listen to, as they throw out vague motivational spiel and obscure 80's references to mask how woefully useless they are to their given assignments and tasks. It makes one wonder how they got into the internship in the first place and why don't they ask to dump their asses half-way through the movie and have done with it. (HINT: they begin to bond and they're usefulness really only comes towards the end with, you guessed it, sales and advertizing!)

There's plenty of geek and sex jokes (including one where Billy and Nick take Yo-Yo out for a lap dance and ends up jizzing in his pants several times over -- really), but there's no wit; there's no sense of playfulness with the delivery. They're so routine that one could easily spot the joke coming from a mile away. And the less said about the film's blatant product placement of Google, the better. The Internship is a recycled and uninspired comedy, coupled with a preposterous premise of two, late thirty somethings who get the chance of a lifetime to work for the most well-known search engine site, banking on the easygoing interplay between Owen Wilson and Vince Vaughn to carry the film, when all it ends up doing is reminding you that you should ditch the duo's follow-up and watch Wedding Crashers instead.

(* 1/2 stars out of ****)

Comments

Popular posts from this blog

What We Talk About When We Talk About Great Movies: The 10 Best Films of 2014 - Part II

And here's (finally) part two of my list of the best from last year, along with the full list at the bottom. 5. The Wind Rises  - The worst thing I can honestly say about this gorgeous animated feature is that, at 126 minutes, it wasn't long enough. I could get lost in Hayao Miyazaki's final effort for hours and not get bored. The writer-director-animator is a master of whisking us away to new worlds of his own creation, but how fitting that his last masterwork is where we're rooted into the past as Miyazaki tells the story of real-life Jiro Horikoshi as he lives out his dreams of building airplanes, despite them being used for the Imperial Army back in World War II. Every last frame of this film - from Jiro's dreams with fellow designer Giovanni Caproni and his brief romance with Nahoko, to showing the Great Kanto Earthquake of 1932 and his journey to Nazi Germany several years later - is painstakingly beautiful and artfully crafted to within an inch of his...

Mr. Brown Verses Bland, Weepy Teen Melodrama

Todd in the Shadows once said that he defined the worst hit song of the calendar year as a song being the absence of good. At the time, I didn't really understood what he meant when he chose "Tonight Tonight", by Hot Chelle Rae in 2011 and "Roar", by Katy Perry in 2013. Last night, I finally understood what he meant. Because, I, too, have seen a movie that's the absence of good. Todd meant that a song could make you angry, the beat could drive you insane, the lyrics could be insulting and simply lazy, but, in his eyes, those two aforementioned songs had nothing  going for them. Nothing lyrically, nothing catchy, nothing offensive, nothing that could make you feel insulted, angry or simply seeing red, because there's literally nothing  about it that can make you feel anything. That movie belongs to Bland, Weepy Teen Melodrama , the  latest attempt to suck money out of teen girls ....I mean, young adult novel by Second Rate Nicholas Sparks that became ...

Cowardice

I was looking forward to watching the James Franco/Seth Rogen comedy The Interview  on Christmas Day, even more so than Angelina Jolie's WWII drama Unbroken , or Rob Marshall's Into the Woods . I like what the writing and directing duo of Rogen and his pal Evan Goldberg have done with comedies like Superbad , Pineapple Express and their debut feature, This Is the End . In light of Sony being hacked (which now appears to be North Korea's doing) and threats of attacking theaters that carry the comedy, three things happened today: 1.) Every major theater chain - AMC, Regal, Cinemark, Arclight, etc, had decided to pull out from showing The Interview  on its scheduled release date. 2.)  This prompted Sony Pictures to basically cancel the release date of the film amid threats of blowing up theaters. 3.)  Both Sony and the theater chains basically caved into the demands of cyber terrorism from North Korea. Are you fucking kidding me? We just caved into terr...