Skip to main content

Mr. Brown Verses The God of Thunder

Phase II of the Marvel Cinematic Universe began where the first phase started: with Tony Stark and his advanced suit of armor, this time battling the Mandarin in Iron Man 3 earlier this summer. I thought it was a great kickoff to begin the next slate of films that will, inevitably, bring them back together for The Avengers: Age of Ultron, which is due out in 2015. However, a major question arises for the studio: Outside of Robert Downey Jr. playing Iron Man and Joss Whedon's bringing together all these superheroes from the same shared movie universe, how well can Marvel Studios do without relying on either, financially?

The answer is, apparently, pretty solid. The sequel to 2011's Thor, featuring Chris Hermswoth as the Prince of Asgard, has already grossed $337 million worldwide and will eventually top it's predecessor's final tally of $447 million by the end of November. Sure, Thor: The Dark World didn't break the Box Office records like Iron Man 3 did with it's $174.1 million weened gross, and is going to go down as the undisputed box office king of 2013 with $403 million in North America, but the sequel did make $20 million more than it's predecessor ($65.7 million over the first May weekend in 2011) by scoring $85.7 million, and in a post-Harry Potter box office world, count that as a victory for producer Kevin Fegie and the House of Mouse.

Box office wise, The Dark World is doing solid, and has a shot at grossing $200 million before its run ends. But how does this entry of the MCU stack up again past entries? The answer is somewhere in the middle.


While it's good fun to see Chris Hermsworth back as the Mighty Avenger, Tom Hiddleston (arguably the film universe's biggest star since RDJ) as the sinister Loki, and Thor's homeworld of Asgard, this sequel feels underwhelming. The film's main villain, Malekith (Christopher Eccerson) is a generic antagonist who you quickly forget about after the movie ends.  He wants to exact vengeance on Asgard by engulfing the Nine Realms in darkness. To do this, he needs the Aether, a powerful McGuffin stone which will engulf the worlds in darkness forever. Yeah, the Aether, much like the Tesseract in Captain America: The First Avenger, really isn't explained in terms of its significance, so it's just a plot point to move the story and the action foreword. We get to see more of Asgard and a few other places like the home of the Dark Elves (don't ask me to pronounce it), so we do get a sense of a more larger, expansive universe that could be explored in either a next Thor installment, or in future Marvel features.

While we do see more of the Nine Realms, we don't see more of Thor's companions in this one. Jamie Alexander as Sif; Ray Stevenson as Volstagg; Zachery Levi (replacing Joshua Dallas due to his commitment to the ABC series, Once Upon a Time) as Fandral; Tadnaobu Asado as Hogun; and Idris Elba as Heimdall are given little to do expect help Thor break out Loki from his dungeon-like cell he's been sentenced to for eternity, due to his action in The Avengers; with Asado's Hogun not even on Asgard at all, and mainly reduced to a cameo appearance. Even Anthony Hopkins as Odin has less to do, but is otherwise a welcome presence, as the two men clash yet again, this time in battle strategy and tactics. The most active person in the scenes on Asgard (besides Hiddleston and Hermsworth) is Renee Russo as Frigga, the Queen of the realm, who gets to prove her badass qualities in battle after Malekith stages an assault on Thor's home world that is exciting to watch. Even Natalie Portman, returning as Thor's love interest, Dr. Jane Foster, despite playing a key role in the second movie, doesn't get a lot to do besides be the damsel in distress and waiting for her paycheck to arrive.

I should mention that the movie is actually quite funny, especially towards the film's third act, in which the filmmakers just let loose as Malekith comes to Earth, the site of the convergence of the worlds of the Nine Realms, to finish his mission. Gravity, space, time, are all bent and distorted, and it's a thrill to watch all the madness unfurl. Unfortunately, the comedy outstays it's welcome, in the form of Stellan Skarsgard, playing Dr. Eric Selvig, a  scientist who's gone mad, thanks to Loki's meddling during the story arc with the Tesseract. Look, movie, I've already seen him naked on a poster for Lars von Trier's upcoming Nymphomaniac, I don't need to see him running around in his birthday suit played for laughs, even if his dick is pixilated, and I don't need to see him in his underwear! Also, as much as I love Kat Dennings, man was she annoying as Darcy the second time around.

Despite it's faults, Thor: The Dark World is still a ball of fun to watch, and it sets up nicely for future installments in this universe Marvel Studios has created. Also (and as usual): make sure to stick around for the midcredits. It sets the stage for what is to come later on, and moving into Phase III.

** 1/2 stars out of ****

Comments

Popular posts from this blog

Cowardice

I was looking forward to watching the James Franco/Seth Rogen comedy The Interview  on Christmas Day, even more so than Angelina Jolie's WWII drama Unbroken , or Rob Marshall's Into the Woods . I like what the writing and directing duo of Rogen and his pal Evan Goldberg have done with comedies like Superbad , Pineapple Express and their debut feature, This Is the End . In light of Sony being hacked (which now appears to be North Korea's doing) and threats of attacking theaters that carry the comedy, three things happened today: 1.) Every major theater chain - AMC, Regal, Cinemark, Arclight, etc, had decided to pull out from showing The Interview  on its scheduled release date. 2.)  This prompted Sony Pictures to basically cancel the release date of the film amid threats of blowing up theaters. 3.)  Both Sony and the theater chains basically caved into the demands of cyber terrorism from North Korea. Are you fucking kidding me? We just caved into terrorist d

I'm Dreaming of a White Oscars

What does Stephen Hawking, the godfather of computer science, a hotel manager breaking out from prison during the first World War, a young boy and his family growing up through 12 years and the battle of wills between a aspiring musician and his near-abusive professor have in common? On the surface, these are different films ranging in different subjects. But when you look at the people who stared, wrote and directed these various movies, A few patterns begin to emerge: 1. The cast is predominately white. 2. The story mostly centers on a male protagonist. 3. The filmmakers behind the project are white and male. And all of those films I've mentioned:  The Theory of Everything , The Imitation Game , The Grand Budapest Hotel , Boyhood  and Whiplash  - have all been nominated for Best Picture for this year's 87th annual Academy Awards. Before I go any further, I just want to say that this is not an attack on the films themselves. Most of the films mentioned I really enjoy

Mad Max and the Awards Season Or: Let It Go, Let It Go...

And so, the Oscar race has officially begun, with the Nation Board of Review's annual best of list, applauding and honoring the creme de la creme in film for 2015. I definitely didn't expect to see films like Sicario  and Straight Outta Compton  to be on their list of the 10 best movies of the year, so big brownie points to them for their inclusion. Drew Goddard winning Best Adapted Screenplay was a shock, and well-deserved for taking the source material and creating a funny, exciting script where Matt Damon "has to science the shit" out of being stuck on an unforgiving planet like Mars after being marooned by mistake by his fellow astronauts. I think The Martian  is easily Ridley Scott's best and most enjoyable film in years (yes, I'm taking into account that I liked Prometheus ) , and it's fun to see the director this playful, though I think Damon winning Best Actor and Scott taking Best Director is a bit of a stretch. But then came the pick for Bes