Skip to main content

Trailer Reviews: Fifty Shades of Grey

Holy crap, Lars von Trier added another volume to Nymphomaniac! Yes! - Charlotte Gainsborough is back as Joe, the unrepentant nymphomaniac who's appetite for sex returns...with a vengeance! I can't wait to see how von Trier outdoes himself with pretentious and artful mundane things like fly fishing and the Fibernache sequence will be used as a metaphor for Joe and her numerous partners...



Oh wait, it's just the anticipated first look at the erotic drama Fifty Shades of Grey (due out in theaters February 13, 2015). Nevermind.

First off, I have never read the original source material by E.L. James. The premise - a young girl and a mysterious entrepreneur falling in love, but quickly realizing his past is much darker than previously imagined, including a thing for bondage and dom-submissive fetishes - feels something ripped from a cheesy erotic romantic novel that didn't sell with readers until present day. That, and I have a little something called Cinemax After Dark. Nevertheless, the erotic drama is something that hasn't really resurfaced in quite sometime. Sure, there were movies like Shame and the previously mentioned Nymphomaniac, but those movies were less erotic and more unsettling to watch. The former is a brutal and frank look at a man's self-destructive path toward the abyss because of his addiction to sexual gratification, and the latter is a provocative commentary on female sexuality and gender politics on sex - hardly titillating for audience consumption. So I guess we should welcome what promises to be a steamy, sexually-charged drama featuring two attractive leads in Dakota Johnson as Amanda Steele (no offense, but jeez, that sounds like the stage name of a porn star!) and James Dornan as Christian Grey. I mean, there's not much wrong with the trailer, to be honest: the cinematography looks lush and lovely give the dark color palette it flaunts; the acting has an air of mystery behind it, especially with Dornan's Grey; and Beyonce's hit song, "Crazy In Love" takes on a more sinister tone, in contrast to the song's upbeat, energetic tune.

The problem is that the trailer itself isn't really all that steamy, or erotic. Universal Pictures and their indie outfit, Focus Features, have bragged about this being dark and sensual, but the trailer misses out on the sensual/erotic portion of it. Sure, there's fast cuts of Amanda being tied up and moaning in pure pleasure over this new sexual experience, but we don't feel the heat radiating off the screen. The purpose of something like this is to turn the audience on; to get us hot and bothered, to feel the scorching passion between the two lovers, and you'd think the trailer would give said audience a taste of what is to come before the big, um...release (no pun intended). The trailer to Fifty Shades of Grey fails on that effort.

Comments

Popular posts from this blog

Spare Me

Sometimes you find something so incredibly stupid and so utterly irresponsible on social media that you have to address it. Last weekend was the Peoples' Summit in Chicago, where a coalition of Sanders supporters and left-wing activists flocked to a three-day event to discuss about where the movement, which started back in 2016 behind then-candidate Bernie Sanders, would and should go in the Trump era, including whether the Democratic Party can be (or should be) saved, or if the time has come to abandon the party and start a new People's party instead. Enter The Young Turks correspondent Nomiki Konst and her thoughts on why the Democratic establishment should accept and embrace independents who don't lean either with the R's or D's in primary battles. "No open primaries for Democratic Party equals voter suppression and racism with young independent voters" @NomikiKonst #PPLSummit — Holly Mosher (@FilmsForChange) June 10, 2017 *Rolls eyes H...

Lost in Translation

I think it's fair to assume that a lot of us were very skeptical upon hearing that Masmure Shinrow's cyberpunk manga Ghost in the Shell  was being updated for mainstream audiences, in the form of a live-action film. We've seen how this business has handled manga/Anime properties in the past, and the track record, outside of the Wachowskis' Speed Racer , has been dismal, to say the least. When it was revealed that Scarlett Johansson was chosen to play Major Motoko Kusanagi, the Internet went ablaze, the cries that studio suits were whitewashing a beloved Anime character, as well as petitions making the rounds to remove the actress from the role in favor of an Asian actress to carry the role. When the first trailer dropped in mid-November of last year, I think most of us were blown away with just how, on a surface level, it looked like the live-action version might do the original source material justice. Then, the actual film was released. It's hard to talk about...

What We Talk About When We Talk About Great Movies: The 10 Best Films of 2014 - Part II

And here's (finally) part two of my list of the best from last year, along with the full list at the bottom. 5. The Wind Rises  - The worst thing I can honestly say about this gorgeous animated feature is that, at 126 minutes, it wasn't long enough. I could get lost in Hayao Miyazaki's final effort for hours and not get bored. The writer-director-animator is a master of whisking us away to new worlds of his own creation, but how fitting that his last masterwork is where we're rooted into the past as Miyazaki tells the story of real-life Jiro Horikoshi as he lives out his dreams of building airplanes, despite them being used for the Imperial Army back in World War II. Every last frame of this film - from Jiro's dreams with fellow designer Giovanni Caproni and his brief romance with Nahoko, to showing the Great Kanto Earthquake of 1932 and his journey to Nazi Germany several years later - is painstakingly beautiful and artfully crafted to within an inch of his...