Skip to main content

Trailer Reviews: The Hobbit III

"Will you follow me, one last time?" That's the question Thorin Oakenshield poses to his company at the end of the trailer to Peter Jackson's finale to his Hobbit trilogy, dubbed The Battle of the Five Armies (due out December 17th). Although the question is posed to his accompaniment after everything they've undergone, via the evens of An Unexpected Journey in 2012, and last years The Desolation of Smaug, I can't help but feel said Q has two meanings to it. The second almost feels like the New Zealand-bred director is asking us, the audience, if we will stick with him, at the end of his prequel trilogy, and the end of this Middle Earth saga.


It's a fair question to ask. Both installments - An Unexpected Journey and Desolation haven't received the same critical acclaim as The Lord of the Rings trilogy did during its 2001-03 run, as the first two have received a 64% and 74% rating on Rotten Tomatoes for both parts I and II respectively. In my opinion, both are still fun, exciting pieces of popcorn/fantasy entertainment, but both sorely miss the weight and the gravitas that Jackson's original fantasy epic held. Does watching Merry and Pippin galvanize the Ents into going to war against Isengard in Two Towers, or seeing King Thoeden lead his Rohirrim into battle on the fields of Minas Tirith in Return of the King hold the same weight of watching Thorin square off against the Pale Orc, in Journey or the water barrel fight scene in Desolation? Not even on the same wavelength. From the looks of this last installment, it promises to be less adventurous and more perilous than its two predecessors, and Merry's song inter-cutting with the second attempt to take Osgiligh in Return is used to haunting effect here, as we see Men, Elves, Dwarves and Orcs preparing for war.

To answer the posed question: yes.Yes I will. One last time.

Comments

Popular posts from this blog

Cowardice

I was looking forward to watching the James Franco/Seth Rogen comedy The Interview  on Christmas Day, even more so than Angelina Jolie's WWII drama Unbroken , or Rob Marshall's Into the Woods . I like what the writing and directing duo of Rogen and his pal Evan Goldberg have done with comedies like Superbad , Pineapple Express and their debut feature, This Is the End . In light of Sony being hacked (which now appears to be North Korea's doing) and threats of attacking theaters that carry the comedy, three things happened today: 1.) Every major theater chain - AMC, Regal, Cinemark, Arclight, etc, had decided to pull out from showing The Interview  on its scheduled release date. 2.)  This prompted Sony Pictures to basically cancel the release date of the film amid threats of blowing up theaters. 3.)  Both Sony and the theater chains basically caved into the demands of cyber terrorism from North Korea. Are you fucking kidding me? We just caved into terr...

I'm Dreaming of a White Oscars

What does Stephen Hawking, the godfather of computer science, a hotel manager breaking out from prison during the first World War, a young boy and his family growing up through 12 years and the battle of wills between a aspiring musician and his near-abusive professor have in common? On the surface, these are different films ranging in different subjects. But when you look at the people who stared, wrote and directed these various movies, A few patterns begin to emerge: 1. The cast is predominately white. 2. The story mostly centers on a male protagonist. 3. The filmmakers behind the project are white and male. And all of those films I've mentioned:  The Theory of Everything , The Imitation Game , The Grand Budapest Hotel , Boyhood  and Whiplash  - have all been nominated for Best Picture for this year's 87th annual Academy Awards. Before I go any further, I just want to say that this is not an attack on the films themselves. Most of the films mentioned I really...

Mad Max and the Awards Season Or: Let It Go, Let It Go...

And so, the Oscar race has officially begun, with the Nation Board of Review's annual best of list, applauding and honoring the creme de la creme in film for 2015. I definitely didn't expect to see films like Sicario  and Straight Outta Compton  to be on their list of the 10 best movies of the year, so big brownie points to them for their inclusion. Drew Goddard winning Best Adapted Screenplay was a shock, and well-deserved for taking the source material and creating a funny, exciting script where Matt Damon "has to science the shit" out of being stuck on an unforgiving planet like Mars after being marooned by mistake by his fellow astronauts. I think The Martian  is easily Ridley Scott's best and most enjoyable film in years (yes, I'm taking into account that I liked Prometheus ) , and it's fun to see the director this playful, though I think Damon winning Best Actor and Scott taking Best Director is a bit of a stretch. But then came the pick for Bes...