Skip to main content

American Bullshit

Before I piss people off about my thoughts on American Sniper, let me first say that I have nothing but the highest respect for the men and women in our military. These are brave individuals who put their lives on the line so that that we may enjoy the freedoms that we take for granted every single day. This review is not meant as an attack against those who have volunteered to put themselves in harm's way; rather, my point is to discuss my problems with the characterization of one Chris Kyle, how the filmmakers white washed most of his full self to sell this notion that he was an honorable, earnest, all-American kind of guy, and how it sells a pro-war message about a conflict that was absolutely unnecessary for the United States to engage in.


Also, I do want to point out that Sniper has a fantastic performance by Bradley Cooper as Kyle. He gets the drawl, the mannerisms, the look and the attitude down to the letter. There's a fantastic opening sequence in which he's forced into an early, horrific decision about whether or not to kill a woman and her child who is carrying an IED. It's a tense moment partly because of the uncertainty Cooper has about his choice, and partly because command has given him the call to make that decision himself. And there are great sequences in which Kyle returns home from his tour of duty to his wife Taya (played by Sienna Miller) and his young kids, only to face difficulty leaving the battlefield behind him. The stories of soldiers returning home from war is a fascinating subject, and one that isn't given then attention it deserves on film, and Eastwood, along with first time screenwriter Jason Hall, do paint a haunting picture of how difficult it was for Kyle return to some form of normalcy, given what he was ordered to do and the things he had seen. This would have been a compelling picture if we had seen more of Kyle trying to distance himself from the war, with flashbacks of him doing his combined four tours in Iraq, instead of Eastwood trying to rewrite history.

And that's where the problems with the film come in: the way Clint subtly tries to link the terrorist attacks in 1998 at a U.S. Embassy to the devastating attacks in New York City & Washington D.C. on September 11th. as both reason for Kyle to serve in the military and to justify our misguided adventure in Iraq. Hearing our protagonist casually coin the people we're invading as "savages" (Editor's note: that was personal gripe on my part. I had known a Navy SEAL that also employed me to work for his at-home business thought my Senior year in high school, and I had, on more than one occasion, heard him use the term "savages" and other ugly terms to describe the people were were fighting and a few of the customers as well). Probably the worst part about Sniper is how Eastwood whitewashes much of Kyle himself and tries to idolize him as this good ol' boy, when even his autobiographical novel (on which this film is based on) says almost the complete opposite.

The film paints the notion that Kyle was conflicted about killing all those people. Not true.




Here's Kyle's thoughts on Iraqis. At least Eastwood got this part right.




How Chris Kyle spent his free-time. On Christmas, no less. Charming.




And here's Chris bragging about a "twofer".




Chris Kyle wasn't a person to idolize, nor was he deserving of how the filmmakers made him into a martyr. At best, he was disturbed man suffering from serious PTSD. At worst, the man was a near-psychopath with a sniper rifle. And Clint Eastwood overlooked that crucial part of Kyle's story completely in order to forge a war film that rewrites the history on why we were taken into war, and idolizes a remorseless murderer into a saint. Excuse me if I dislike nearly everything American Sniper stands for.

Comments

  1. I read his book, saw most of his interviews, and heard other soldiers talk about him- Kyle was that one soldier that did whatever he wanted because the brass liked him more than his CO, and the only reason his CO didn't get a DD + Time for knocking his ass out was Kyle finished his tour before it hit "worth it!" point. According to some soldiers, half a day before, as in if he left on the next flight, that would have been it.

    ReplyDelete

Post a Comment

Popular posts from this blog

Cowardice

I was looking forward to watching the James Franco/Seth Rogen comedy The Interview  on Christmas Day, even more so than Angelina Jolie's WWII drama Unbroken , or Rob Marshall's Into the Woods . I like what the writing and directing duo of Rogen and his pal Evan Goldberg have done with comedies like Superbad , Pineapple Express and their debut feature, This Is the End . In light of Sony being hacked (which now appears to be North Korea's doing) and threats of attacking theaters that carry the comedy, three things happened today: 1.) Every major theater chain - AMC, Regal, Cinemark, Arclight, etc, had decided to pull out from showing The Interview  on its scheduled release date. 2.)  This prompted Sony Pictures to basically cancel the release date of the film amid threats of blowing up theaters. 3.)  Both Sony and the theater chains basically caved into the demands of cyber terrorism from North Korea. Are you fucking kidding me? We just caved into terrorist d

I'm Dreaming of a White Oscars

What does Stephen Hawking, the godfather of computer science, a hotel manager breaking out from prison during the first World War, a young boy and his family growing up through 12 years and the battle of wills between a aspiring musician and his near-abusive professor have in common? On the surface, these are different films ranging in different subjects. But when you look at the people who stared, wrote and directed these various movies, A few patterns begin to emerge: 1. The cast is predominately white. 2. The story mostly centers on a male protagonist. 3. The filmmakers behind the project are white and male. And all of those films I've mentioned:  The Theory of Everything , The Imitation Game , The Grand Budapest Hotel , Boyhood  and Whiplash  - have all been nominated for Best Picture for this year's 87th annual Academy Awards. Before I go any further, I just want to say that this is not an attack on the films themselves. Most of the films mentioned I really enjoy

Mad Max and the Awards Season Or: Let It Go, Let It Go...

And so, the Oscar race has officially begun, with the Nation Board of Review's annual best of list, applauding and honoring the creme de la creme in film for 2015. I definitely didn't expect to see films like Sicario  and Straight Outta Compton  to be on their list of the 10 best movies of the year, so big brownie points to them for their inclusion. Drew Goddard winning Best Adapted Screenplay was a shock, and well-deserved for taking the source material and creating a funny, exciting script where Matt Damon "has to science the shit" out of being stuck on an unforgiving planet like Mars after being marooned by mistake by his fellow astronauts. I think The Martian  is easily Ridley Scott's best and most enjoyable film in years (yes, I'm taking into account that I liked Prometheus ) , and it's fun to see the director this playful, though I think Damon winning Best Actor and Scott taking Best Director is a bit of a stretch. But then came the pick for Bes