Skip to main content

Never Have I Pined More for Madonna's Die Another Day

In October of 2012, I heard Adele's contribution to the latest 007 picture Skyfall, and I thought the title track of the same name would go on to win the Oscar for Best Original Song, which tuned out to be spot on. So far, I have a perfect 1-1 track record in predicting what will win the Academy Award in music, so I'm going to make another accurate prediction: not only will the theme song to this new James Bond film, Spectre, will not only miss a Best Original Song nomination, but it will also go down as one of the worst 007 tracks in the franchise's storied history.



I hate to do this, because, in general, I do think Sam Smith is a very good singer-songwriter. I love that he goes for a mix of soul, lush melodies and emphasis on production value. I think tracks like "Stay With Me" & "Not The Only One" are solid pop tunes. The problem is that his soft falsetto voice does not mix with the theme of a Bond song; and furthermore, the track comes off as another one of his yearning love ballads. Instead of feeling like Bond's conscious is telling him he's headed for his potential doom, the song comes off as obnoxious to listen to. Say what you will about Madonna's "Die Another Day" and the duet between Jack White & Alicia Keys' "Another Way to Die" (from the films Die Another Day and Quantum of Solace, respectively), but those songs, while terrible, were at least interesting in what they were trying to accomplish, and felt like, on their own, they were listenable, just not Bond songs. "Writing's On the Wall" is just terrible from start to finish.

Comments

Popular posts from this blog

Cowardice

I was looking forward to watching the James Franco/Seth Rogen comedy The Interview  on Christmas Day, even more so than Angelina Jolie's WWII drama Unbroken , or Rob Marshall's Into the Woods . I like what the writing and directing duo of Rogen and his pal Evan Goldberg have done with comedies like Superbad , Pineapple Express and their debut feature, This Is the End . In light of Sony being hacked (which now appears to be North Korea's doing) and threats of attacking theaters that carry the comedy, three things happened today: 1.) Every major theater chain - AMC, Regal, Cinemark, Arclight, etc, had decided to pull out from showing The Interview  on its scheduled release date. 2.)  This prompted Sony Pictures to basically cancel the release date of the film amid threats of blowing up theaters. 3.)  Both Sony and the theater chains basically caved into the demands of cyber terrorism from North Korea. Are you fucking kidding me? We just caved into terrorist d

I'm Dreaming of a White Oscars

What does Stephen Hawking, the godfather of computer science, a hotel manager breaking out from prison during the first World War, a young boy and his family growing up through 12 years and the battle of wills between a aspiring musician and his near-abusive professor have in common? On the surface, these are different films ranging in different subjects. But when you look at the people who stared, wrote and directed these various movies, A few patterns begin to emerge: 1. The cast is predominately white. 2. The story mostly centers on a male protagonist. 3. The filmmakers behind the project are white and male. And all of those films I've mentioned:  The Theory of Everything , The Imitation Game , The Grand Budapest Hotel , Boyhood  and Whiplash  - have all been nominated for Best Picture for this year's 87th annual Academy Awards. Before I go any further, I just want to say that this is not an attack on the films themselves. Most of the films mentioned I really enjoy

Mad Max and the Awards Season Or: Let It Go, Let It Go...

And so, the Oscar race has officially begun, with the Nation Board of Review's annual best of list, applauding and honoring the creme de la creme in film for 2015. I definitely didn't expect to see films like Sicario  and Straight Outta Compton  to be on their list of the 10 best movies of the year, so big brownie points to them for their inclusion. Drew Goddard winning Best Adapted Screenplay was a shock, and well-deserved for taking the source material and creating a funny, exciting script where Matt Damon "has to science the shit" out of being stuck on an unforgiving planet like Mars after being marooned by mistake by his fellow astronauts. I think The Martian  is easily Ridley Scott's best and most enjoyable film in years (yes, I'm taking into account that I liked Prometheus ) , and it's fun to see the director this playful, though I think Damon winning Best Actor and Scott taking Best Director is a bit of a stretch. But then came the pick for Bes