Skip to main content

Thank you, Roger Ebert.



As a kid growing up, there were a few things I spend my time doing on Saturdays: getting up early to watch Saturday morning cartoons, going to the movies with my parents, playing outside with my roller-skates, and watching the latest edition of Siskel & Ebert on television. In fact, that was probably one of the moments of the day I was looking forward to. Gene Siskel and Roger Ebert didn't just debate about the latest movies that had just been released; they didn't just argue back and forth about why this movie worked or why it was awful. These men didn't just love movies, they lived, breathed the power of cinema as an art form. And I don't think no one person exemplified this kind of mad-hot passion for, well....anything better than Ebert himself. Even after Gene's death in February of 1999, the man still carried on and talked about his love of the movies, with other critics and cinemaphiles, from Lisa Scwartzburn of Entertainment Weekly, to Harry Knowles of Ain't It Cool News, to legendary filmmaker Martin Scorsese. Richard Roper of the Chicago Sun-Times would eventually become his partner from 2000 up until 2006, when post-surgical complications with thyroid cancer left him unable to speak, but his love of the big screen wouldn't diminish. If anything, Ebert found a new voice in which to communicate his excitement for a movie, or his utter disgust for what had transpired on the screen through Twitter, and he still had his columns on his own personal website, and he still wrote reviews for the Chicago-Sun Times, and held film festivals. In short: his burning spirit wouldn't keep him from what he loved: the cinema. Ebert's place was in the balcony of a movie theater, and for one afternoon on a Saturday, I - along with everyone else who loved film as much as he did, or simply wanted to hear his thoughts - were allowed in to listen, argue, and debate the movies. The fact that tonight, we no longer have that voice with us, is a tragedy in of itself. Ebert is a big reason why I loved going to the movies: I wanted to capture the same passion for watching films as he clearly had, and is a continued inspiration for me as a amateur critic with a blog, and it's a continued hope of mine that it comes through with each review I write. For the days I spent sitting in the living room, watching him give the trademark "Thumbs Up," or "Thumbs Down" to eagerly seeking out his reviews on the latest movie to hit theaters, I say thank you Roger Ebert, for making me a lover of the cinema, and forevermore, the balcony will be closed.

Comments

Popular posts from this blog

Cowardice

I was looking forward to watching the James Franco/Seth Rogen comedy The Interview  on Christmas Day, even more so than Angelina Jolie's WWII drama Unbroken , or Rob Marshall's Into the Woods . I like what the writing and directing duo of Rogen and his pal Evan Goldberg have done with comedies like Superbad , Pineapple Express and their debut feature, This Is the End . In light of Sony being hacked (which now appears to be North Korea's doing) and threats of attacking theaters that carry the comedy, three things happened today: 1.) Every major theater chain - AMC, Regal, Cinemark, Arclight, etc, had decided to pull out from showing The Interview  on its scheduled release date. 2.)  This prompted Sony Pictures to basically cancel the release date of the film amid threats of blowing up theaters. 3.)  Both Sony and the theater chains basically caved into the demands of cyber terrorism from North Korea. Are you fucking kidding me? We just caved into terr...

I'm Dreaming of a White Oscars

What does Stephen Hawking, the godfather of computer science, a hotel manager breaking out from prison during the first World War, a young boy and his family growing up through 12 years and the battle of wills between a aspiring musician and his near-abusive professor have in common? On the surface, these are different films ranging in different subjects. But when you look at the people who stared, wrote and directed these various movies, A few patterns begin to emerge: 1. The cast is predominately white. 2. The story mostly centers on a male protagonist. 3. The filmmakers behind the project are white and male. And all of those films I've mentioned:  The Theory of Everything , The Imitation Game , The Grand Budapest Hotel , Boyhood  and Whiplash  - have all been nominated for Best Picture for this year's 87th annual Academy Awards. Before I go any further, I just want to say that this is not an attack on the films themselves. Most of the films mentioned I really...

Mad Max and the Awards Season Or: Let It Go, Let It Go...

And so, the Oscar race has officially begun, with the Nation Board of Review's annual best of list, applauding and honoring the creme de la creme in film for 2015. I definitely didn't expect to see films like Sicario  and Straight Outta Compton  to be on their list of the 10 best movies of the year, so big brownie points to them for their inclusion. Drew Goddard winning Best Adapted Screenplay was a shock, and well-deserved for taking the source material and creating a funny, exciting script where Matt Damon "has to science the shit" out of being stuck on an unforgiving planet like Mars after being marooned by mistake by his fellow astronauts. I think The Martian  is easily Ridley Scott's best and most enjoyable film in years (yes, I'm taking into account that I liked Prometheus ) , and it's fun to see the director this playful, though I think Damon winning Best Actor and Scott taking Best Director is a bit of a stretch. But then came the pick for Bes...