Skip to main content

Evil Dead

Allow me to be as frank as possible about the remake based on the 1981 cult classic, The Evil Dead:

I hated Evil Dead. Fucking hated it.

Hated every last thing about this "film": hated how it borrowed damn-near every horror cliche in the book, from the dire warnings to stop what the individual was doing, turn around and leave while their lives depended on it, to the manufactured jump scares that were as predictable as they were un-frightening.

Hated how just about every character in the story made one implausible and idiotic decision after another, and most decisions would get them killed.

Hated how the director Fede Alvarez and screenwriters Rodo Sayagues and Alvarez put an interesting spin on a cliche like the old, creepy cabin deep in the isolated woods - four friend reunite to help one of their own, a drug addicted youth (Jane Levy) go cold turkey.- and ended up with formulaic drivel that we've seen countless times from the horror genre.


Hated how the the film was just one sick, gratuitous scene filled with one unrelenting torture sequence after another, where faces are cut open, bones shattered, bodies sliced open and blood spurting like a fire hydrant. Just about every goddamn scene is like this. Every. Scene. It's intensely repetitive and it loses its shock value each time the filmmakers pull this card. Scenes of mutilation, torture, and gore are used so much that you just roll your eyes at the whole ordeal, despite the fact there's not a trace of CGI in the entire movie, as it pertains to the Deadites, which again, should be impressive if these creatures were scary, and if the filmmakers didn't bludgeon us with shot after shot of blood flying and people dying left, right and center.

But most of all, I hated that this remake represents every single thing that's wrong with modern-day horror flicks: from The Texas Chainsaw Massacre: The Beginning to this year's pointless remake of Sam Raimi's (who served as a producer on this crap) influential cult classic, horror movies are taking a play from the Saw film series, where mean-spirited scenes of death and degradation take the place of actually trying to scare and shock the audience. There's no fucking reason for the filmmakers to treat their characters like meat for the slaughter and the amusement of the audience, like where the female protagonist gets violated by roots whilst mixing in her relapse and her growing fear of what's lurking in the cabin. Seriously, how is this horseshit considered 'entertaining,' by any standard? But these Saw ripoffs make a nice profit at the box office, and so studios continue to amp up the shock value and dial down on the story, character development, and innovation in telling a story that  gives it's audience nightmares.

Please people, I beg of you: quit giving out money to lazy, uninspired shite like Evil Dead, a top contender for the worst movie of 2013.

Zero stars out of ****

Comments

Popular posts from this blog

Cowardice

I was looking forward to watching the James Franco/Seth Rogen comedy The Interview  on Christmas Day, even more so than Angelina Jolie's WWII drama Unbroken , or Rob Marshall's Into the Woods . I like what the writing and directing duo of Rogen and his pal Evan Goldberg have done with comedies like Superbad , Pineapple Express and their debut feature, This Is the End . In light of Sony being hacked (which now appears to be North Korea's doing) and threats of attacking theaters that carry the comedy, three things happened today: 1.) Every major theater chain - AMC, Regal, Cinemark, Arclight, etc, had decided to pull out from showing The Interview  on its scheduled release date. 2.)  This prompted Sony Pictures to basically cancel the release date of the film amid threats of blowing up theaters. 3.)  Both Sony and the theater chains basically caved into the demands of cyber terrorism from North Korea. Are you fucking kidding me? We just caved into terr...

I'm Dreaming of a White Oscars

What does Stephen Hawking, the godfather of computer science, a hotel manager breaking out from prison during the first World War, a young boy and his family growing up through 12 years and the battle of wills between a aspiring musician and his near-abusive professor have in common? On the surface, these are different films ranging in different subjects. But when you look at the people who stared, wrote and directed these various movies, A few patterns begin to emerge: 1. The cast is predominately white. 2. The story mostly centers on a male protagonist. 3. The filmmakers behind the project are white and male. And all of those films I've mentioned:  The Theory of Everything , The Imitation Game , The Grand Budapest Hotel , Boyhood  and Whiplash  - have all been nominated for Best Picture for this year's 87th annual Academy Awards. Before I go any further, I just want to say that this is not an attack on the films themselves. Most of the films mentioned I really...

Mad Max and the Awards Season Or: Let It Go, Let It Go...

And so, the Oscar race has officially begun, with the Nation Board of Review's annual best of list, applauding and honoring the creme de la creme in film for 2015. I definitely didn't expect to see films like Sicario  and Straight Outta Compton  to be on their list of the 10 best movies of the year, so big brownie points to them for their inclusion. Drew Goddard winning Best Adapted Screenplay was a shock, and well-deserved for taking the source material and creating a funny, exciting script where Matt Damon "has to science the shit" out of being stuck on an unforgiving planet like Mars after being marooned by mistake by his fellow astronauts. I think The Martian  is easily Ridley Scott's best and most enjoyable film in years (yes, I'm taking into account that I liked Prometheus ) , and it's fun to see the director this playful, though I think Damon winning Best Actor and Scott taking Best Director is a bit of a stretch. But then came the pick for Bes...